The Barn

written and edited respectively by Kwo Victor Elame Musinga and Roselyne M. Jua

Three Plays by Kwo Victor Elame Musinga

As a veteran playwright and actor, Kwo Victor Elame Musinga is more than just a pioneer in popular theatre. His simple but profound messages demonstrate a depth of understanding and insight into human nature and the nature of society. The texts he crafts are universal and timeless in their content and appeal, even as the themes and situations that inspire them are localized in specific places, experiences and histories. The Barn is a collection of three topical plays. Njema captures the predicament of love in a context where innocence and trust are preyed upon by deceit, dishonesty, promiscuity, waywardness, callous indifference to human life, the reckless abandon of parental authority and wisdom by youth in a hurry to celebrate sexuality, irresponsible manhood with or without the connivance of girls/women, and HIV/AIDS and its terror. Invitation to God addresses elitism and fair-weather friendship even among believers. In Moka, the theme of friendship is explored through the simple act of dishonesty and greed, especially to those with whom one should be nothing but virtuous, open, generous and kind. In these plays Kwo Victor Elame Musinga explores the virtues of being human, while addressing the dark side of humanity.

Kwo Victor Elame Musinga

Playwright, Dramatist, Stage Director and Founder of the pioneer English speaking Drama group, Musinga Drama Group, Cameroon, Kwo Victor Elame Musinga has written over thirty plays most of which have remained unpublished. Still engaged in writing and acting, he is a fount of resource to the student of Cameroon drama. He is currently assisting in the creation of drama clubs in secondary and primary schools all over the country and working on a TV series based on corruption titled Mr. Director. Read an interview with Kwo Victor Elame Musinga conducted by Niyi Osundare here.

Roselyne M. Jua

Roselyne M. Jua holds a BA (Hons) from Carleton University, Ottawa, Canada, a PhD from SUNY at Buffalo, New York. She teaches English and American Literature at the University of Buea, Cameroon. Her research interests are eclectic and recent essays have appeared in The Journal of Black Studies and The International Journal of Humanistic Studies. She is co-editor of Emerging Perspectives I: Anglophone Cameroon Drama and Theatre (forthcoming), and with Bate Besong, of To the Aspiring Writer: A Handbook. Her first book of poems is entitled In My Father’s House (forthcoming). She is a member of WEEN, a women’s empowerment enterprise in Cameroon.