written by Linus Asong
From The Whodunit? To The Whydunit?
ISBN | 9789956727025 |
Pages | 69 |
Dimensions | 216 x 140 mm |
Published | 2012 |
Publisher | Langaa RPCIG, Cameroon |
Format | Paperback |
written by Linus Asong
From The Whodunit? To The Whydunit?
ISBN | 9789956727025 |
Pages | 69 |
Dimensions | 216 x 140 mm |
Published | 2012 |
Publisher | Langaa RPCIG, Cameroon |
Format | Paperback |
Linus Asong was born in the South West Region of Cameroon in 1947. With a combined B.A honours in Education, in 1980 he entered the University of Windsor in Canada whence he graduated with a terminal degree in Creative Writing. He holds an M.A and a PhD in Comparative Literature from the University of Alberta, in Edmonton Canada, and is presently Associate Professor of Literature and Creative Writing at Ecole Normale Superieure Bambili (University of Yaounde 1). Until his death in July 2012, Asong was a stand-up humorist, a consummate portrait painter, an accomplished literary scholar, and a celebrated prolific writer with over a dozen novels to his credit.
1 comment
“From its very inception, detective fiction has enjoyed a great popularity among the young and the old, the learned and the not so learned. By some unfortunate stroke of irony, its respect has not kept pace with its enormous popularity. For over half a century now, it has remained the bane of creative writing. In strict intellectual circles, it is very rare to find people talk defensively and interestingly about the genre. Yet Asong has chosen to do just that! He has stoutly defended the weak by putting up a good case for its continued existence. He has also shown how irresistible key elements of the genre are to even the best respected novelists. Finally he has demonstrated for the first time, how the genre has been domesticated by African writers of very great repute such as Ngugi, Sembene and Lessing. That he has been able to prove that these writers have used techniques of detective fiction is a significant broadening of the horizons for appreciating creative writing in Africa. This, I think, is what real research is all about – endlessly exposing to the undiscerning readers new ways of looking at the old and familiar.”
Brinsley Sakyema, University of Cape Coast , Ghana